![]() For live recording, the sound crew records a DI feed off his instrument, then later reamps it in the studio. With guitar amplifiers being what they are, not just the volume changes, the instrument’s tone changes as well. For example, a well-known guitar player has a reputation for constantly turning up his amplifier over the course of the evening, starting out with it much too soft and ending up with it much too loud. However, the practice also has several other applications. This option has become very popular in recent years, as we have had increasing numbers of tracks available in the modern digital production studio and wanted more options available for mixdown. Also, if you get the tone you want, you can record a direct injection (DI) feed from the instrument, which provides additional flexibility for later. If you have a limited amount of time for tracking, you might not have the time to get the exact tone you want or if you aren’t sure what tone you really want, reamping can be a great solution. With reamplification, you actually record a direct instrument signal from the guitar or bass during tracking, and later play that signal back through an instrument amplifier. He later patented the design, which he called the Reamp. The fact that Radial has packed so much versatile circuitry into a box not significantly larger than the J48, along with the Reamp JCR, is truly impressive.Photo 1: In 1993, out of necessity, John Cuniberti designed and built an interface box to solve a problem he was having in the studio. The quality of the Reamp Station’s DI was outstanding, and no surprise there, given my experience with Radial DI boxes. Over several reamping sessions, I sent signals from the Tascam and RME unit’s main outputs to the Reamp Station, as well as from each unit’s headphone outputs, to the Reamp HP.ĭestinations for reamping included a Fender ’68 Custom Princeton Reverb comboand a variety of effect pedals, among them an EarthQuaker Devices Special Cranker, a Gurus Echosex 3 Binson Echorec pedal and a Chase Bliss CXM 1978 Vintage Studioverb. DIMENSIONS: 5 7 /8” x 4 1 /8” x 1 3/4” (LxWxD)įor testing purposes, I tried both units to DI a variety of electric guitars and acoustic-electric guitars into my DAW via a Tascam Model 12 mixer as well as an RME Fireface 800 digital audio interface.īoth Radial reampers provide a path for connecting audio recordings to effects pedals.Reamp: 3.5mm audio input, Reamp in 1/4” TRS and XLR, amp out, link in, link out Reamp: Mute, filter (high-cut/low-cut/flat), level, ground lift I/O Direct Box: Instrument, thru, direct out. CONTROLS: Direct Box: Buffer, pad, 48V phantom power indicator, 180° polarity switch, ground lift.These include 1/4-inch TRS and XLR input for connecting to the line-level outputs of your recorder, an amp output to feed the resulting instrument-level signal to your amp, and link in and out jacks to connect multiple Reamp devices for when you want to send one signal to more than one amp.Īlso here is a ground lift to eliminate hum and buzz from ground loops.Īll in all, the Reamp Station is a compact but feature-packed device that leaves no reamping problem unsolved. Speaking of the back panel, this is where you’ll find the remaining reamp features. ![]() The JCR’s front-panel features include a 3.5mm input that lets you reamp signals from mobile devices and handhelds a level control a three-position filter with settings for high-cut, low-cut and flat frequency response and a mute switch that cuts the signal to the 1/4-inch amp output on unit’s back panel. Once your guitar part has been recorded, the Reamp Station’s JCR comes into use with a custom-wound USA-made transformer that converts line-level signals to instrument level. ![]() The DI’s features continue on the back panel and include a balanced XLR output for connecting a recording interface or mixer, and a 180˚ switch that reverses polarity at the direct output to reduce phase cancellation when the DI is combined with mic’d amp.Ī custom-wound USA-made transformer converts line-level signals to instrument level ![]()
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